Down In One

Down in one
I’ve picked this shot because I feel it achieves a cinematic look. It’s a look that I love and that I wish I could pull off more often. As far as I can tell the key requirements are shallow depth of field, foreground objects as well as background and inclusion of other secondary subjects. Sounds simple enough but it just seems to tricky to get it to all fall in to place!

Any advice would be more than welcome via the comments below!

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